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Psycroptic

As the Kingdom Drowns

By Chris Gibbs | 12 November, 2018

Psycroptic are swiftly approaching their 20th anniversary. In that time they’ve consistently proven they run a relatively tight ship, with six full length records under their belt and only a couple of line-up changes. The most sig...

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Evoken

Hypnagogia

By Michael O'Brien | 08 November, 2018

Amongst the litany of bands playing within the margins of the funeral doom space, few have cultivated a sound that is as instantly recognisable as that of New Jersey’s Evoken. Over the course of their rather lengthy career, they have managed...

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Revocation

The Outer Ones

By Simon Crawley | 05 November, 2018

Full-length studio album number seven from Boston, Massachusetts’ Revocation is a significant one. Its release coincides with the band’s career at a juncture in its trajectory. That perhaps sounds too dramatic, but Revocation has, in t...

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Infera Bruo

Cerement

By Simon Crawley | 11 October, 2018

I will admit that what initially drew my attention to this release was learning of the link to Trap Them (also signed to Prosthetic Records) through the band’s bassist, Galen Baudhuin. He is Infera Bruo’s vocalist and guitarist and he ...

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Behemoth

I Loved You at Your Darkest

By Michael O'Brien | 05 October, 2018

As far back as 2004’s Demigod (if not 1999’s Satanica), Poland’s Behemoth has been on a steep upward trajectory both with respect to the quality of their albums and the recognition they have rightly earned becau...

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Pig Destroyer

Head Cage

By Simon Crawley | 03 October, 2018

Significant foundations were laid earlier by the likes of Napalm Death and Repulsion, but grindcore never quite saw Pig Destroyer coming. This was in 1997 when vocalist J.R. Hayes and Agoraphobic Nosebleed’s Scott Hull formed the band, which...

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Deicide

Overtures of Blasphemy

By Simon Milburn | 09 September, 2018

As one of the pioneering bands from the flourishing Florida (U.S.A.) death metal scene in the very early '90s, it was somewhere after their move to Earache Records that my attention waned. There’s no doubt their first three albums are certif...

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Gulch

Burning Desire to Draw Last Breath

By Simon Crawley | 05 September, 2018

Hardcore certainly has, in my opinion, a lot more room for the warped and avant-garde. Originality and a good ol’ fashioned pair of balls are also qualities all too often lacking with hardcore acts. California's Gulch is a five-piece force o...

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Iskald

Innhøstinga

By Michael O'Brien | 30 August, 2018

By just about any rationale I can summon, I should be all over Norway’s Iskald and their blend of thrashy, melodic black metal, but the reality has proven to be a little more complicated than that.

My introduction to the band came by...

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Megadeth

Killing Is My Business... And Business Is Good - The Final Kill

By Simon Milburn | 21 August, 2018

Megadeth reissues. Just those two words alone can be a sore point for any Megadeth fan. Hell, these days any kind of reissue can be a point of contention. Extra tracks, 180gram, bonus DVD, deluxe 28 disc, 5LP plus bonus cassette recorded in the or...

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Immortal

Northern Chaos Gods

By Michael O'Brien | 05 July, 2018

Though I have absolutely no reservations in saying that Immortal has long been a favourite of mine, I’d also have to be honest and say that their place of prominence hasn’t been earned by anything they’ve done in the past 20-odd ...

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Ghost

Prequelle

By Simon Milburn | 08 June, 2018

Ghost is a band that divides the metal community. Love ‘em or hate ‘em, whatever they do manages to stir up both parties. Since the release of the band’s excellent third long player Meliora almost three years ago, they&r...

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Skeletal Remains

Devouring Mortality

By Simon Milburn | 08 June, 2018

Goddamnit. Somehow I missed 2015’s Condemned To Misery by Skeletal Remains. The 2012 release by this California (U.S.A.) group, titled Beyond the Flesh, was excellent. So, I’ve no idea how I missed their sophomore eff...

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Napalm Death

Coded Smears and More Uncommon Slurs

By Simon Milburn | 14 May, 2018

I think if I had to describe Napalm Death to someone, I’d describe them as a loaded freight train with 2 speeds – fast, and fastest. There truly seems to be no stopping for these guys. Since forming in the very early ‘80’s ...

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Anthrax

Kings Among Scotland

By Simon Milburn | 14 May, 2018

In the 37 years that Anthrax have been around in one form or another, they’ve released 11 studio albums up to and including 2016’s excellent For All Kings. In and around all of that, they’ve also released six live albums...

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Light the Torch

Revival

By Chris Gibbs | 14 May, 2018

Devil You Know went through a bit of turmoil in 2016. Drummer John Sankey was heavily focussed on his Legion Festival following the collapse of the annual travelling Soundwave Festival in the hopes of giving Australian metal heads something else t...

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Marginal

Total Destruction

By Simon Crawley | 08 May, 2018

To say anything is ‘old school’ has gotten a bit tired, but when it comes to Belgium’s Marginal who kicks it seriously old school with their brand of grindcore/crust punk, it just seems fitting. This is a sound, whilst fully bene...

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TesseracT

Sonder

By Michael O'Brien | 19 April, 2018

Even though I wouldn’t really consider myself to be a fan of progressive metal generally, I have enjoyed my share of TesseracT’s material over the years, and especially so their second full length album, 2013’s Altered State<...

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Soldat Hans

Es Taut

By Michael O'Brien | 27 March, 2018

Over the years, I’ve found it to be beneficial to be sceptical of the descriptions that are contained in the promotional blurbs for the promos that are sent my way. Though they’re clearly intended to be a guide and to pique interest (t...

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Primordial

Exile Amongst the Ruins

By Michael O'Brien | 26 March, 2018

Despite having been around for over 20 years now, I have to admit to being pretty late to the party with Ireland’s Primordial. In fact, it wasn’t until I took the chance on seeing them at a festival in 2015 that their idiosyncratic fol...

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