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Soul Remnants


By Simon Milburn | 29 August, 2017

I first came across Littleton, Massachusetts (U.S.A.) quintet Soul Remnants when I reviewed their 2013 long player, Black and Blood. I still spin the album here and there these days in amongst the slew of new releases that do come in. The...

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Paradise Lost


By Michael O'Brien | 29 August, 2017

To this day, Paradise Lost's 1995 release, Draconian Times, remains one of my favourite albums of all time. It also has the dubious honour of being the last Paradise Lost album that resonated with me for the nearly 15 years leading up to ...

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Dead Cross

Dead Cross

By Simon Milburn | 22 August, 2017

Dead Cross is a band that had my attention as soon as I heard that Dave Lombardo was associated with it. He of legendary Slayer fame (as well as Grip Inc. and Philm) can do no wrong. Formed initially in late 2015, Dead Cross, who were rounded out ...

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Zero Days

By Simon Milburn | 22 July, 2017

For me, one of the best albums of 2016 was Prong’s X – No Absolutes even with a couple of niggly tracks that didn’t sit well with me. In my review of that album, I pointed out the band’s impressive work ethic since...

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Negative Atonal Dissonance

By Michael O'Brien | 22 July, 2017

The daunting flood of promos that are sent my way each week makes the act of choosing something to review less of a science than a scattershot process that usually takes the form of picking something either due to a familiarity with the band, a fa...

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Municipal Waste

Slime and Punishment

By Simon Milburn | 22 July, 2017

I’m sure many of us remember the first time we heard Municipal Waste. Waaaaaaay back when Earache Records were actually still fostering new talent instead of milking their heritage roster for whatever they can get, a little known band and al...

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Stone Sour


By Simon Milburn | 18 July, 2017

I have to admit that I found it amusing that Nickelback frontman Chad Kroeger thought it worthwhile to call out Stone Sour on their success compared to his own band. Now, it’s pretty bloody obvious that the bands are miles apart on the scale...

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By Andrew McKaysmith | 13 July, 2017

There is a fair bit of kit to get through when discussing this outstanding release from German power metal quartet, Edguy. If one is a dedicated fan, passionate about the band and the music they have produce...

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By Andrew McKaysmith | 13 July, 2017

Anticult is the seventh full length studio album from Polish death metal titans Decapitated, and it's also one of their more immediate releases with a focused effort to produce more concise songs that get straight to the point.


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Hurricanes and Halos

By Andrew McKaysmith | 13 July, 2017

Avatarium feature one of rock and metal’s great modern guitarists in Swedish maestro, Marcus Jidell. That doesn’t mean one can’t be objective when listening to Hurricanes and Halos for the purposes of a thorough review, ...

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Black Laden Crown

By Simon Milburn | 23 June, 2017

Let’s get something straight right from the get go. How good are those first three Danzig albums? There are so many good cuts across the four years that brought those fine releases to our ears. Whilst some artists have managed to deliver som...

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Carach Angren

Dance and Laugh Amongst the Rotten

By Michael O'Brien | 19 June, 2017

Theatrical, symphonic black metal isn’t exactly up there in my list of genre priorities, so by rights long-running Dutch act, Carach Angren, shouldn’t register as much more than a blip on my radar. Having been lucky enough to catch the...

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The Fool

By Simon Crawley | 07 June, 2017

With the debut release of Bloom in October 2014, Kent’s (U.K.) OHHMS sidled up warmly to fellow The Metal Forge contributor Simon Milburn. And when 2015’s Cold came out, that was that – Mr. Milburn was won over ...

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Ghost Bath


By Andrew McKaysmith | 06 June, 2017

Dennis Mikula is the driving force behind Ghost Bath and Ghost Bath are one polarising band. During the promo rounds for Moonlover, Mikula never corrected media assumptions the band hailed from Chongqing, China. This lead to peculiar arti...

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...Of the Dark Light

By Michael O'Brien | 06 June, 2017

Approaching ...Of the Dark Light for the first time a couple of weeks or so ago, it occurred to me that it’s actually been quite a while since I’ve been really drawn to and hooked by a new Suffocation release. My first instinc...

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By Michael O'Brien | 25 May, 2017

While I understand that many view 2009’s Köld as Sólstafir’s watershed album (and they may well be absolutely spot on for all I know as I’ve not heard it), I wasn’t introduced to the band until their 20...

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The Providence

By Michael O'Brien | 23 April, 2017

Even though I’ve been a fan of the style for quite a while now, I have to admit to feeling pretty burned out on the sludge/stoner doom genre these days. While there are definitely bands occupying this space that are doing interesting things,...

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Steel Panther

Lower the Bar

By Simon Milburn | 19 April, 2017

It would be reasonable to be a little worried about Steel Panther. Have they peaked already? Could they hit new highs? Or perhaps, that should be new lows? More than likely, the answer is a little of all of those really. By now, fanthers know what...

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By Simon Milburn | 18 April, 2017

It’s equally easy as it is challenging to review a new release from Obituary. “How is that possible?” you may rightly ask. Well, consider this - it’s a generally safe rule of thumb that Obituary is a known quantity with res...

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By Chris Gibbs | 10 April, 2017

Melodic doom metal band, Pallbearer, impressed doom lovers across the globe with their excellent 2012 debut, Sorrow and Extinction, and we all rejoiced in the splendour of their 2014 sophomore release, the Billy Anderson produced Foun...

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